Calling all fans

I submitted a proposal for a panel discussion on fandom as part of my university’s English Department Colloquium Series for next year, and last week the selection committee gave me the go-ahead to begin planning the event.  I started by emailing a number of colleagues (including my thesis student who just graduated, and whom I’m proud to call a colleague now) I thought might be interested in participating, and within a few hours of sending the email, I had more than enough people to make up a panel.  And these weren’t just “sure, I’ll help an academic sister out” responses; these were “OMG I’VE BEEN WAITING MY WHOLE LIFE FOR SOMEONE TO ASK ME ABOUT THIS” responses.  That’s only a slight exaggeration–I had co-workers coming to my door within minutes to share their thoughts; I got email replies filled with multiple exclamation points, and I even had one student (now alum, as of Saturday’s commencement) who is so keen on participating that he plans to fly back here from Texas to be on the panel, even though I told him we could easily Skype him in.

So if I wasn’t already excited about the panel discussion, I am now, and I’m even wondering if this could turn into a conference eventually.  But let’s not get ahead of ourselves.  The reason I’m telling you about all this, dear readers, is that I need your help.  I posed a number of questions in my proposal, but they’re very broad, so I’m looking for more specific questions that I can actually ask the panel–as well as other questions on fandom that I may not even have considered.  If you have questions you’d like to hear the panel address, comment on my blog or tweet them in my direction (@Tessarama).  I’ll see if we can get the discussion live streamed or recorded, and if for some reason those options don’t work out, I’ll definitely write a summary post.

Here are the questions I posed in my proposal, along with some off-the-cuff and by no means exhaustive answers from me:

  • Why do people become fans (of texts, fictional worlds, celebrities, teams, etc.)?  Another version of this question: Why do some people/things seem to inspire fandom more than others?  One possible answer to the second question, in the context of stories: The stories that have major fan followings often, but not always, have a large cast of characters, meaning that even if you don’t connect with the supposed protagonist, there’s almost guaranteed to be a “minor” character that you can identify with, fall in love with, or otherwise latch onto.
  • How does people’s fandom contribute to their identity construction? A very intricate psychological question, of which I’ve merely scratched the surface in previous blog posts, but here’s a personal answer: I am proud to identify myself as a fan of Harry Potter, especially.  It’s one of the first things I tell people about me when I meet them.  And at some level, I consider it integral to the person I’ve become over the past eight years.  (Harry and I are going to celebrate our eight anniversary this summer.)
  • Can a person be both a fan and a critical scholar of the same text or cultural phenomenon? Yes, as I’ve striven to show in my own academic work and on my blog.  See also Henry Jenkins’s much better blog, Confessions of an Aca-Fan.
  • Are fans passive consumers or active contributors? Often, and contrary to early, negative assessments of fandom, the latter.  See Henry Jenkins’s book, Textual Poachers.
  • What is the relationship between fans and authors, especially as traditional notions of authorship become blurred? Oh, jeez.  This is a big one.  See my dissertation. 🙂
  • As Christian scholars, what can we learn from fandom about belonging, passion, and critical engagement, and how can we best minister to people (including each other) who strongly identify as fans? I posed this two-part question not only because Christian worldview engagement is expected in my English department, but also because I think it’s important to think about this.  Without viewing fans through some sort of distant, haughty, anthropological lens (“let’s study these weirdos who are totally Other than us”), I think it is important to think about fan communities as “people groups” (“unreached people groups,” in some cases) who need Jesus’ love just like everyone else, and who can be ministered to in unique ways.

Send me your thoughts!

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some random questions for Christmas

In which I interview myself.

If you could design a Christmas t-shirt, what would it say?  Bob Cratchit: Straight Outta Camden.

If you could spend Christmas with any fictional family, what family would you choose?  I borrowed this question from another blog I looked at over the weekend, but it’s something I’ve thought about before–not that I had to think very hard.  The only correct answer to this question (and a total no-brainer if you’ve been reading my blog over the years) is “the Weasleys.”  However, I did see Fantastic Beasts again today, and I have to say that if for some reason I couldn’t Apparate across the Atlantic for Christmas, it would also be fun to spend Christmas with Tina and Queenie Goldstein–if Newt and Jacob could also be there, and if we could have pie and strudel.

What holiday season song bothers you the most?  Please indulge me in a rant on this one.  I am deeply troubled by the song “Baby, It’s Cold Outside.”  It used to bother me because although it gets classified as a Christmas song, it’s merely a cold weather song.  People in Australia could sing it in August.  But then someone pointed out to me that this song appears to describe a man keeping a woman in his home against her will.  You can call it an attempt at date rape or a hostage situation–either way, there’s nothing cute or clever about it, and it really annoys me that singers who think they are cute and clever are still covering it.  You can try to explain the lyrics away as the product of a simpler time, but what are you going to do with the line, “Say, what’s in this drink?”?  Slipping drugs into a person’s beverage was never okay.

Let me contrast this song with another one that presents a similar scenario: “Let It Snow.”  In this song, the two characters appear to be mutually consenting adults who actually like each other, unlike in “Baby It’s Cold Outside,” and they face a far more challenging weather prognosis (cold is only dangerous if you have to spend the whole night outside, whereas snow can cause decreased visibility and hazardous road conditions).  Yet, after a nice evening enjoying popcorn in front of the fire, one of them is mature enough to say, “I’ve had a lovely time, but I am now going to get in my four-wheel drive vehicle and safely drive home before this snow gets worse.  How about you give me a big kiss and a hug to keep me warm on my way?”  Yes, the line “The fire is slowly dying, and my dear, we’re still goodbye-ing” may indicate a reluctance to part, but again, this reluctance seems to be mutual.  There is no coercion here, nor any guilt-tripping.  (Contrast this with the part in “Cold” when the man says, “Think of my lifelong sorrow.”  Gag me.)

(takes a deep breath) Okay, we can move on to the next question.

What charming Christmas comedy have you discovered in recent years?

How did you know I’d recently discovered a charming Christmas comedy?  Well, last year I came across Nativity! in which Martin Freeman plays a put-upon grade-school teacher directing a nativity play that gets way out of hand.  Martin Freeman is delightful as always (I think I’ve used that exact same adjective to describe him at least once before on this blog), and the kids, who seem to be “real” people rather than actors, are hilarious.  So is Mr. Poppy, the teacher’s aide who is basically a child himself.  Check this one out.